They’re basically different planets completely. They’re kind of like alternate Earths, but without the parallel universe gimmick. In the Mortal Kombat multiverse, there are different dimensions (or realms). Before I really get into it, let’s just talk about the makeup of this reality: So here’s a look at the canon storyline of Mortal Kombat. Now we get full-on cinematic story modes. It used to be that we’d just get some profile text, ending text, and a couple of neat images.
As video games have advanced, so has the storytelling. DC Universe, Injustice: Gods Among Us, and the wonderful Mortal Kombat: Shaolin Monks are non-canon).
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There have been ten fighting games plus upgrades that are part of its canon and a few side games ( Mortal Kombat vs. There’s a reason why the Mortal Kombat story has been told in different forms. Even when they’re literally redoing an earlier story! the Soul Caliburgames and King of Fighters), but Mortal Kombathas been able to hold its own for over 25 years due to embracing its own wacky mythology and finding ways to be fresh. Sometimes the sequels just retread the same plot over and over (ie. Usually, these lead to fun B-movie plots that can carry a game or two. Who are these characters and why are they fighting? Why are they fighting again? And again? Not just for the characters, but for the world itself. The soundtrack also has the composer’s own themes for such characters as Lord Raiden, Sub-Zero, Sonya Blade, Cole Young, Shang Tsung, Liu Kang and Kung Lao, among others, and epic battle themes from the film, including “Kano v Reptile” and “Sub-Zero v Cole Young.A fighting game kind of needs to have a storyline for the sake of identity.
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“My first question was what can we do with ‘Techno Syndrome,’ a piece of music so much part of the DNA of the game and the original movies? What motifs could be reinvented and blown up to a full-scale symphonic sound world in the score, and might there be room for a full reinvention of the whole song as an EDM single in 2021? A huge thank you to The Immortals for giving us their blessing to reimagine their classic track in this way, as a celebration of the world of Mortal Kombat and its fans, and of the uplifting power of Electronic Dance Music, which the original did so much to light the fuse of 30 years ago.” “When I was invited to come on board ‘Mortal Kombat,’ I was very aware of the responsibility that comes with scoring a franchise so deeply embedded in pop culture and with such a passionate fanbase,” Wallfisch added. Actually, Ben kind of blew my mind on a daily basis through the making of this film, so we can all thank Benjamin Wallfisch for his genius and passion in creating ‘Techno Syndrome 2021.’Īlso Read: How Trent Reznor and Atticus Ross Became 1930s-Style Tunesmiths for 'Mank' “And Ben certainly delivered, I am so excited by this new 2021 version of the track, when I first heard it, it blew my mind. “Ben and I both knew that we needed to use the classic Immortals track ‘Techno Syndrome’ as source material for the entire score of ‘Mortal Kombat.’ But along with that we knew that an updated elevated version of the song also needed to be created,” McQuoid said in a statement. Wallfisch intended “Techno Syndrome 2021” as an homage to the music, fans and the enduring legacy of “Mortal Kombat,” and he worked closely with the film’s director Simon McQuoid on both the score and the remix. The track is an updated take on the original first written by The Immortals, and it was produced and performed by Wallfisch and mastered by Tom Norris (Skrillex, Lady Gaga, Zedd). Wallfisch is a Golden Globe, Emmy and Grammy-nominated composer who has worked on the “IT” films, “Shazam!” and “Blade Runner: 2049” alongside Hans Zimmer. Also Read: 'Mortal Kombat': All Fatality, No Friendship in Trailer for Upcoming Reboot (Video)